The graphic novel, which won the Art Spiegelman Pulitzer Award, Mous, is a cornerstone in the calculation of the Holocaust and the progress in the art of serious comic books, but their full achievements are more notable and eclectic. Art Spiegelman: The disaster is my muse tracked in the 1960s as a Creator of extravagant commercial packages; His joint financing of arcade underground comics magazines (with Bill Griffith) and RAW (with his wife Francoise Mulie); In the shadow of No Towers, his September 11 reaction, inspired by witnesses to attack from his home in Bass Manhattan; Its controversial covers about The New Yorker (1993-2003), which took New York police to the magazine’s office; And his public response to the recent prohibition of MU by the Tennessee School Council. Spiegelman demonstrates an eloquent leader through his provocative work, along with contemporaries (Robert Crum, Gary Panthre) and the youngest cartoonists (Joe Sako, Jerry Kraft, Molly Krobel), inspired by the steadfast confrontation of Spiegelman’s personal trauma.

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